BY SARAH CHAVERA EDWARDS I never knew him in life. The man with calloused hands and almond eyes that would turn into half-moons when he laughed.
It's hard to define a writer like Suzanne Buffam who so easily jumps between different poetic forms, from lists to snippets and musings in prose.
This biographical snippet, taken from the introduction of Tenshin Reb Anderson's book Being Upright, tells a bit of the story of how he met his teacher, Shunryu Suzuki, and what the first days of their teacher-student relationship were like. Anderson says of the drive he had to be near his teacher, "I would make myself… Continue reading Being Intimate with the Essence of the Teacher’s Practice
'For all its obligations and demands, its idealism and elaborations, monastic life is a way of entering into the cosmic dance,' Trappist monk Paul Quenon writes in his memoir, In Praise of the Useless Life. The monk's life being counterintuitively 'useless' in this way - something his mentor Thomas Merton taught him - is Quenon's… Continue reading “Don’t Tell Me Who I Am Yet. It Is Still Being Spelled Out”
The Hokyo-ki is a short memoir written by Dogen later in his life that chronicles his exchanges with Master Ju-ching (Tendo Nyojo in Japanese, also known as Rujing). Dogen only spent two years studying under Ju-ching at his monastery on Mount Tiantong, but the master's teachings were highly transformative for the young Japanese monk and… Continue reading What is Essential is Only to Understand with Immediacy – from Dogen’s Hokyo-ki