Melancholic and visceral, poet Nathaniel Grayson's "Some Distant Land" takes an unflinching look at faith, connection, and the places we find ourselves.
Antoinette Kennedy has blessed readers with a poetic juxtaposition of Paradise--one of golden civilized grandeur with nothing natural, and one hoped for by the narrator, consisting of earthy goodness and authenticity.
Written during the peak of the pandemic, Katie Bowers' poem touches on the challenges of faith and belief, parenting and childhood.
Kevin James' "Just for You", explores the experience of immanence, a theological doctrine stating that the divine presence is present and active in our material world as opposed to just in a metaphysical or ethereal realm.
Dane Lyn's "holy musings at the Getty Museum, Los Angeles, 2019" is a brilliant work of ekphrastic poetry, inspired by a religious painting by an unknown artist, titled "The Great Harlot of Babylon".
Angelic Armendariz, with her poem "Nonbeliever", gives readers a brief but poignant piece with three distinct stages in questioning faith, spirituality, and God.
Reflecting on the days between a heart attack and a bypass, the scene outside the hospital on a cold March day struck Lenora Steele as the starkest moment.
Lori Rottenberg wrote her poem, Heresy, when her children were young and she was a stay-at-home mom.
Wild Geese runs like an exhalation, beginning with a lifting of the weight of religious culpability - in the prairies and the deep trees, there is no onus to be good nor to string oneself out in repentance.
BY CHARLENE MOSKAL At around age seven I'd lie in tepid water in the rose-pink porcelain bathtub. I would look down the skinny length of me, close my eyes, imagine I was Jesus.