Inspired by memories from her country of origin, Haiti, Tamerlie Philippe's faceless paintings are an ambivalent, diminishing recollection of home.
In his collaged paintings, Jacob Lehmann explores the relationships between isolation and nostalgia, in connection to childhood.
Gabriela De Paz's flower paintings are portraits of emotions and a homage to the perpetual flux of the human condition.
Owen Brown's paintings slide between representation and abstraction as he explores everything from the snow shades of Minnesota winters to his son's cancer treatment.
Jeff Mann's sculptures and images of collages made from car parts go hand in hand with his passion for transport activism.
Dave Sims' watercolor paintings are a submission to the chance of creation and a surrender to emptiness.
Cynthia Ruse's The In-Between reflects the parallel and layered elements of life, where light and darkness are blurred and the narrative of a painting becomes experience in itself.
Katya Belena's Micro Gallery exhibit Dawn Dusk is an invitation to stay in the changing moment of transition like a darkening or lightening sky.
George Stein's Micro Gallery show Specter is a journey through 2020 from the perspective of a New Yorker watching the transitions of his city from the street.
Martha Nance's Waterwords is a series of abstract images of water and light taken outside her office in Minneapolis.