Anaïs Nin on music, mortality, and what it is to glimpse a joyful vision of a land from which we came and which we have forgotten.
Inspired by memories from her country of origin, Haiti, Tamerlie Philippe's faceless paintings are an ambivalent, diminishing recollection of home.
What if you knew you'd be the last to touch someone? Ellen Bass draws us in to the brief moments of contact that fill our day and urges us to consider the fleeting nature of every life we meet.
Milarepa is a much-loved figure in the Tibetan tradition, renowned for his songs that expound the teaching of the Buddha and his own dharmic worldview.
Shunryu Suzuki on our inability to accept the truth that we and everything around us are in a state of constant flux.
The pinpoint perspective of the present moment can feel so sharp but ultimately always impossible to fathom and out of our reach. As Erich von Hungen writes, it is simultaneously hard and soft, early and late, tiny and all-encompassing 'like a pocket-sized Big Bang.'
This sonnet by American poet and playwright Edna St. Vincent Millay is addressed to a lover and to the latent sense of impermanence and loss built in to all moments when one becomes conscious of great love or great happiness.
The Heart of Our Home is a poem about moving one's life and a meditation on building a new life in a new place that touches upon themes of nostalgia, renewal, and hope
Arthur Sze's postmodern poetic style includes elements of Taoist and Zen philosophy written in a deeply observational style. Influenced by William Carlos Williams and Chinese poets like Bei Dao, Arthur Sze's work can be a difficult but rewarding read.