Using the stark language of cold glaciers and barren deserts, Margaret Atwood paints a picture of marriage as something that survives on the very peripheries of primitive forces and natural epics. Not a house or even a tent, it's a place where we are 'learning to make fire', as though we are still in the very first and most primal stages of the endeavor.
Ada Limón's poem, Wife, examines the secret pitfalls of marriage from a woman's perspective; poignantly, from the point of view of a newlywed, of someone entering unchartered territory that has been laid out and defined for her by the generations that preceded her.
Everlasting Nothing is the final track on singer/songwriter Beck's album Hyperspace. It describes a series of experiences with an unreal bent in which there is a continuous push to 'get back home'.
'Division is also an aspect of unification,' writer Rachel Cusk at the beginning of her memoir, Aftermath: On Marriage and Separation. Here she is talking about the Dark Ages and the nature of their fragmentation in contrast to the two civilizations that bookended them. It's a question, she says, of unity versus compartmentalization, of diversity and flourishing in… Continue reading The Draw of the Dark Ages – Rachel Cusk