Jennifer Chesnut wrote Little Bird while doing what she does every morning after rising – she was looking out the window, processing dreams, watching birds and writing poetry.
Our days are so familiar, yet, unexpectedly at times, we slip loose from the narrative that is shaping our perspectives.
The first lines of A.R. Ammons Play are an exaltation of the freedom contained within demise and a call to 'yearn too high' and 'drill imagination through necessity.'
Berry's poem looks to nature for release from world-weariness and despair, and suggests a kind of liberation through reviving our relationship with the wilderness.
Osho on how clinging to a particular idea of love can make a marriage stale and how chasing after security can dampen the dynamic beauty of being in a constantly changing world.
Written in 1967, at the height of the sexual revolution and the Summer of Love, Philip Larkin's High Windows is about sex, freedom, generational shifts and transcendence.
The Isha Upanishad is concerned with the non-duality of the Self and the role of action in tune with dharma in one's life.
The germ of the poem I Me Mine came to Matthew Kohut when he startled awake on a train that was passing through the area where he grew up.
Collateral Damage is part of poet Lyall Harris’ collection One-wingèd, an in-progress manuscript about hidden abuse and what it takes to break free.
Jiddu Krishnamurti on the imperative of true freedom and what that really means.